Super 8, 2018.
An experimental narrative on the double-image female persona.
Bolex H-16, in-camera edit. Loosely influenced by Samuel Beckett's short monologue, 'Not I'.
Apostasy examines the healing elements of nature amidst emotional and social unrest. The female subject appears trapped, blinded, and consumed within her world, through which she remains resilient until she is able to transcend.
See Nakid Magazine article here
Super 8, 2016.
Men look at women, women watch themselves being looked at.
A trip into homeostasis.
Super 8 , 2017.
Co-directed with Chelsy Mitchell. Screened at Cannes Film Festival 2017 with Straight8 London.
Drawing influences from Kurt Vonnegut, as well as the current and historical political climate on women, this short film portrays a series of missed messages from a nameless young woman drunk dialing her representatives.
Video Installation, 2015.
Picture @ IMC Lab + Gallery, NYC
A triadic video installation that explores the constant fracturing theme of memory within Beckett's shortest play, Come and Go. Through an endless video-loop, three women's desire to recall a collective memory becomes increasingly distorted as the loop falls out of synch. Adaptation and recollection of memory through digital mediums are questioned within this piece.
Video, 2010 & 2017.
An androgynous young man explores his sexuality within the safe confines of his own apartment and video camera.